The best way to describe 23:59, the latest effort from Sweden's Veni Domine, would be a musical continuation of its excellent 2004 release The album of Labour. The album, for example, finds the band distancing itself even further from the progressive metal leanigs of its earlier recordings such as Fall Babylon Fall and Material Sanctuary and moving in a direction reflective of a more epic doom-like vibe not unlike that of fellow Swede's Mirador.
